“This was probably one of the most dangerous films that Hollywood has ever seen. It’s amazing no one was killed.”
No matter what you may have read or heard about Melanie Griffith’s childhood, during which she was raised with full grown lions (see: plural) living in her Sherman Oaks home, nothing can really prepare you for a viewing of “Roar,” the passion project of her parents, Tippi Hedren and Noel Marshall, which will make you reel in horror of what Melanie Griffith’s adolescence must have really been like. The film’s storied production is one of jaw-dropping terror: An eleven-year ordeal that left Griffith nearly disfigured, her two brothers brutally mauled, Hedren nearly paralyzed, Marshall diagnosed with gangrene, an assistant director with a slashed throat, and director of photography Jan de Bont, almost fatally scalped, a humorless injury that he later quipped as a side effect of, “the only production I almost lost my head over.” Over 70 cast and crew injuries were recorded from the set, in which countless untrained lions, tigers, cheetahs, and elephants were used, and while this stat has solidified the film in a dignified place of Hollywood lore, the reality of the on-set danger – clearly expressed by Hedren’s quote atop this article – comes through on screen in a way that is truly unexpected.